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Author Archive for Carter Breazeale – Page 69

The Evolution of the Craft Ale

St. Patrick’s Day, along with being a celebration of all things Irish, is also a booze-filled ode to quantity over quality; where bar patrons adorn stools to participate in a green beer gauntlet from sunup to sundown (and sometimes sunup again). Recently, however, the beverage marketplace has shifted from a focus on big-brand conglomerates to mom-and-pop microbreweries. With an emphasis on unique tastes and style over traditional American interpretations of what constitutes ‘good beer,’ they are reshaping the playing field and forcing executives to reevaluate their business plans.

An article by NPR just outlined how craft breweries are carving a solid niche in the alcoholic beverage market that has customarily been dominated by companies like Anheuser-Busch InBev and MillerCoors. Americans, who for decades have been inundated with advertising directed at establishing the aforementioned companies’ products as the ‘standard’ for beer aficionados, are now opting for the experimental: sampling and purchasing little-known ales, and abandoning their previous beverage-allegiances.

Craft beer sampling has become an activity of sorts, while previously held ideas denoted that ‘beer was beer and it tastes great with pizza.’ Many watering holes have begun specializing in micro brews, promoting their beer menus and even recommending beer and food pairings. The cultural change in attitudes surrounding beer consumption has only increased in the last decade, and it has definitely caught the attention of big brewery boardrooms.

This trend in libation preferences illustrates a strong point: adapt or die, because even the most firmly entrenched traditions will be challenged from time to time. Larger alcoholic beverage companies have been releasing ‘crafty’ beers to compete with the micro brewing movement. Beers like Blue Moon and Shock Top stray from the typical ‘American style’ formula and don’t share the same marketing as a Budweiser or Coors Lite, but alas – they are produced by the same corporations. Not flaunting their ownership of these brands causes many of the misinformed to drink ‘crafty’ ales, but the profits to continue flowing into the beer conglomerates’ coffers.

As St. Patrick’s Day came to a close and bar owners returned to their normally-held hours, in the end, quality over quantity still ruled the 17th. But – there is no denying the impact that micro brews and craft beers have had on the beverage environment,  and it will continue to be interesting to observe how the big corporations adapt.

-Carter Breazeale

Daylight Savings Dread

“Only the government would believe you could cut a foot off the top of a blanket, sew it to the bottom, and have a longer blanket.”

This Native American chief phrased this a lot more eloquently than I would right now, as my sleep-deprived summation of Daylight Saving Time would include far more four-letter words strung together in a few angry outbursts. This antiquated practice has me currently running at about 60%, even with the help of our faithful office coffee machine. So it is from my post as your resident PR blogger that I am trumpeting the termination of this outdated system of ‘tricking the clocks.’

This bi-annual abomination began wreaking havoc on our collective circadian rhythms sporadically in the late 1800’s, and was permanently incorporated into American life during the energy crisis of the 1970’s (save for you lucky folks in Arizona and Hawaii.) Initially instilled to conserve coal stockpiles during World War II, and later to cut down on in-home electricity usage, a vastly altered socio-economic landscape has proven that Daylight Saving Time has officially overstayed its welcome.

A Yahoo story reported this morning that the United States lost a whopping $433,982,548 because of Sunday’s time-switch, a number that is certainly confounding when you take into account that DST was enacted to save energy, and therefore – money. Factor in that sluggish, somnolent feeling we all endured yesterday (and I continue to experience) and, well, it just doesn’t make much sense.

It’s no secret that the U.S. economy is recovering at a glacial pace, and depriving companies of an extra hour to conduct business has proven extremely costly. Nearly $450 million in lost profits is inexcusable, and completely offsets any inherent ‘benefit’ to energy savings with our extra bit of sunlight in the evening.

Another more difficult metric to measure, is the loss of (or the perceived loss of) productivity that arises with an hour of less sleep. Exhausted employees may complete less work, or finish their workloads to a lesser degree than normal. This acts as a hindrance to long term goals, accurate work and overall morale. In order for the business sector to run effectively, it needs to be stocked with well-rested, energetic employees.

Some anti-daylight savings dominoes need to begin falling, because I am completely beat. We are no longer a country that requires this method of regulating the hours, and continuing to do so is only robbing our businesses, national and local, and leaving a workforce full of zombies for a week.

-Carter Breazeale

The Pyongyang Provocateur: Rodman’s North Korean Visit Arouses Ire

On the list of things that beg for condemnation, referring to brutal, megalomaniacal dictator Kim Jong-un as ‘a great guy’ would appear just behind hating unicorns and ice cream.

Last week, notorious instigator and attention-hound Dennis Rodman visited North Korea with VICE Magazine and the Harlem Globetrotters in tow. The trip, orchestrated by VICE and HBO for a forthcoming documentary on The Democratic People’s Republic of Korea, was originally slated as a guerilla-style look into one of the most hermetic countries in the world, and ended up being a wine-and-dine blitz  hosted by one of the most oppressive tyrants on the planet. The Worm really outdid himself with this one.

Publicity stunts are no strange territory for Rodman, famous for adorning a wedding dress and proclaiming his intention to marry himself, among other absurd acts. This venture, however, treads on some politically treacherous ground, and may in fact have long term ramifications on Rodman’s legacy. Regardless of the leeway he’s afforded as a media-loving firebrand, Rodman rubbing elbows and exchanging champagne toasts with a despot like Kim (while the majority of the North Korean population starves) is a bitter-pill for the public to swallow, even if it’s something you’ve come to expect from him.

Channeling his inner Hanoi Jane, Rodman returned from his journey and did what he does best: made it worse. Hitting ‘This Week’ with George Stephanopolous on Sunday morning, Rodman trumpeted Kim’s character and referred to him as a ‘great guy’ and a ‘friend,’ and ardently defended his trip and his actions; sound bites that are sure to remain in the news cycle for some time.

There’s a delicate line that you toe when executing a PR stunt, as many of the best ones involve some fervor or backlash. A rehearsed meltdown or tirade at a press conference is one thing, singing the praises of an authoritarian dictator who imprisons political enemies in concentration camps and has threatened to exact nuclear winter on the U.S. is another. It’s no coincidence that Rodman made his rounds on the Sunday talk shows and the new season of The Apprentice, on which he stars, debuted later that evening – but generating awareness for the show, if that was indeed his aim, in the manner that he did is unacceptable, and frankly, abhorrent.

Whether Rodman truly believes Kim Jong-un is a ‘great guy’ is his own business, but using it as publicity fodder is distasteful, and will only serve to alienate the few remaining apologists who chalk up his behavior as simply “Dennis being Dennis.” While we all can agree that a productive dialogue needs to be established between the United States and the DPRK, Dennis Rodman and his own brand of ‘basketball diplomacy’ is not the way.

Get Creative with Social Media

Anyone with an iota of social media knowledge can tell you there’s a vast chasm that exists between merely having an online presence and employing that presence effectively. Far too often, users implement stream of consciousness status-update tactics that amount to little more than virtual word-vomit. No, folks: social media marketing is not just mindless key-plucking and self-promotion, there is a science of sorts to generating and maintaining an audience, and it begins with a strategy focused on creative consistency.

Last week, the film production company Oscilloscope Laboratories demonstrated a superb example of creative social media utilization by releasing its new movie, It’s A Disaster, in six-second segments on Twitter’s fledgling video-app, Vine. That’s right: an entire film, in six-second increments. I’m sure many would rather construct a scale model of the Petronas Towers out of toothpicks than watch a ninety-minute movie chopped into 900 clips, but the stunt isn’t about efficiency: it’s about creativity, and that’s why it’s circulating in the news.

Crafting a unique blueprint for your online campaign that attracts and sustains followers is half the battle in fruitful social media marketing. This is where many novices often stumble: they often make the mistake of creating content that they find valuable, and not what their audiences deem follow-worthy. From the outset, you should be enacting a strategy that aligns with the message your audience expects from you, be it witty and humorous or informative and educational. But above all else, your posts should contain original, fresh content.

Some social media users have found their creative niche by applying themes to certain days of the week that they plan on posting. For instance, Fridays may be light-hearted and contain weekly ‘roundups,’ while Mondays involve content related to their specific field of expertise. Keep your updates confined to a set amount of days to build audience-anticipation, and maintain consistency across all your social media platforms in regards to your message and post-dates.

Creatively (and effectively) using your social media outlets to instill brand awareness and visibility is definitely a skill that requires practice to refine and perfect. The worst mistake you can make is leaving your sites to fall dormant, or worse, abandoning your messaging strategy after a few sips of schnapps and sporadically updating about nonsensical topics. Your online persona is more than just an extension of your identity: in the Internet Age, it is your identity.

-Carter Breazeale

Viral Makeup: The Anatomy of the Harlem Shake’s Success

If you’re like me, you find yourself getting sucked down the Internet rabbit hole from time to time. Sometimes it’s Wikipedia, where I begin reading about World War II to somehow ending up researching the impact Chernobyl’s radiation had on surrounding wildlife; and sometimes it’s YouTube, which this week led to flooding my brain with Harlem Shake videos. Unless you’ve been living under a rock for the last ten days, you’re familiar with the Harlem Shake – the video trend involving goofy outfits, a dub-step song and losing your mind in the form of dancing.

The trend began when a group of college students filmed the video below and uploaded it to YouTube, setting off a firestorm of others providing their own take on the Harlem Shake, and starting an Internet craze that rivals Gangnam Style in popularity.

[youtube]https://www.youtube.com/watch?v=384IUU43bfQ[/youtube]

Since February 15th, over 40,000 Harlem Shake videos have been uploaded to YouTube, Baauer’s Harlem Shake (the electronic artist who created the track) has reached #1 on iTunes, and countless universities, companies and sports teams have recorded their own versions. A Harlem Shake subreddit (a Reddit community dedicated to a particular topic) has already eclipsed one million page views. It’s official: everyone loves this ridiculous dance.

The logic behind a certain video going viral is not an exact science. While audio of Alec Baldwin losing his mind in a voicemail is guaranteed to circulate the Web, no one could predict four bored guys goofing off in their dorm room would spark a worldwide craze. In the case of the Harlem Shake, it revolves strictly around having a blast and encouraging others to offer their own interpretation in a battle to make it as over-the-top as possible.

Corporations, specifically online businesses, have found a comfortable niche with this particular trend. Companies like Buzzfeed, Facebook and Vimeo have all recorded their own in-office Harlem Shakes, and are enjoying the hits to their YouTube channels as a result. Participating in trends likes this shows two things: you’re aware of what’s relevant and you like to have fun. I mean – who wouldn’t want to frequent a business after they’ve seen their employees enjoying their jobs?

There is no concrete formula for going viral. Many times it’s just dumb-luck borne of a quirky idea that others found interesting enough to view or circulate. Continue engaging with your audience online, and you never know what may come of it.

Added Bonus: My Alma Mater doing the Harlem Shake. Go Knights.

[youtube]https://www.youtube.com/watch?v=SVkr5Lm8IZs[/youtube]

-Carter Breazeale